The "Animals" pathway at the Bailo Museum explores the representation of the animal world in art. Guido Cacciapuoti, with his terracotta sculptures, captures the vitality of animals with realism and detail, as seen in Turkeys, Rooster and Hen, and Piglets.
Luigi Serena, on the other hand, in Horses at the Watering Trough (1900), paints a rural scene where light and color enhance the harmony between humans and nature.
Through sculpture and painting, this section offers a fascinating look at the relationship between art and the animal world.

The "Sculpture" pathway of the Bailo Museum traces the evolution of sculpture from Neoclassicism to the twentieth century, with a focus on Arturo Martini. Antonio Canova is represented by his Venus and the Bust of Canova by Luigi Zandomeneghi (1823).
Martini marks a turning point with works such as Maternity (1910) and Maiden Full of Love (1913), later returning to classical forms in Pisana (1930) and Adam and Eve (1931); the Way of the Cross (1926–27) evokes the key moments of Christ’s Passion.
The exhibition offers an overview of the transformations in Italian sculpture.

The "Fashion" pathway of the Bailo Museum explores society between the 19th and 20th centuries through portraits that convey elegance, status, and cultural change. Luigi Serena portrays high society with Portrait of Signora Zamprogno Dal Din (1908), while Bepi Fabiano, in Masked Women (1927), experiments with volumes and color schemes. Lino Selvatico, with the Portrait of Teresita Lorenzon (1923), highlights the bold style of the 1920s, and Giulio Ettore Erler, with the Portrait of Margherita De Donà Calzavara (1911), celebrates the refinement of the era.
A journey through art and fashion that reflects social evolution.

The "Portraits" pathway of the Bailo Museum explores the evolution of portraiture in the early twentieth century through the works of Gino Rossi and Giovanni Apollonio. Rossi, with Seated Woman (1913–1919), experiments with essential forms and primary colors in a Cubist style. Apollonio, on the other hand, demonstrates his versatility in works such as Self-portrait with Hat and Pipe (1903) and Portrait of Cavalier Moresco (1907), characterized by realism and psychological insight. In After Lunch at the Moncia (1908), an Impressionist portrait of Countess Moresco, an intimate and modern atmosphere emerges.
A journey into Treviso’s portrait art.

The "Everyday Life" pathway of the Bailo Museum narrates the past through scenes of work, intimacy, and popular life.
Luigi Serena paints with sensitivity moments such as Washerwomen on the Sile and Victims/The Prayer, while Eugenio Bosa, in The Lottery Drawing in St. Mark’s Square, captures the atmosphere of 19th-century Venice.
The itinerary concludes with The Painter’s Family Group by Francesco Hayez, which conveys the warmth of domestic life.
A journey through art and society that reflects the emotions and changes of the time.